Piven Theatre Workshop
Chicago's foundational training studio that developed Theatre Games and Story Theatre techniques
Overview
The Piven Theatre Workshop, founded by Joyce Piven and Byrne Piven in Evanston, Illinois — a suburb of Chicago on the North Shore — is one of the most historically significant and artistically distinctive acting training programs in the United States, having developed a unique approach to performer training based on Theatre Games and Story Theatre techniques that has influenced the broader American theatre community for decades. The workshop's alumni roster includes some of the most celebrated performers in American film and theatre: John Cusack, Joan Cusack, Jeremy Piven, Aidan Quinn, and Lili Taylor all trained at the workshop, developing the creative instincts and collaborative skills that would define their exceptional careers. Joyce Piven, who trained with Viola Spolin — the originator of Theatre Games and one of the most influential figures in the development of American improvisational theatre — brought Spolin's principles of spontaneity, play, and ensemble creativity into a systematic training approach that has become the workshop's signature methodology. The workshop's location in Evanston places it within the broader Chicago theatre ecosystem, a community that has produced an extraordinary concentration of acting talent and innovative theatre companies. The Piven Theatre Workshop represents a distinctive branch of the American acting tradition that prioritizes ensemble collaboration, improvisational creativity, and the transformation of literary material into living theatrical experience.
The pedagogical foundation of the Piven Theatre Workshop is built on two interconnected methodologies: Theatre Games, derived from Viola Spolin's groundbreaking work on spontaneity and improvisation, and Story Theatre, a technique developed in collaboration with the broader Chicago theatre community that transforms literary texts — short stories, fairy tales, myths, poems — into ensemble theatrical performances through improvisation, physical storytelling, and collaborative adaptation. Theatre Games develop the actor's capacity for spontaneous, creative response by creating structured play situations that require genuine listening, authentic interaction, and the willingness to take creative risks without the safety net of predetermined outcomes. Story Theatre extends these improvisational skills into the realm of narrative, teaching actors to adapt literary material for the stage through ensemble collaboration, physical characterization, and the creative integration of narration and dramatic action. Together, these methodologies produce performers who are extraordinarily creative, collaborative, and adaptable — actors who can generate original theatrical material, respond to unexpected circumstances with genuine creative intelligence, and bring a distinctive quality of play and discovery to everything they do. The approach stands apart from the text-analysis and emotional-technique methodologies that dominate most American acting training, offering an alternative tradition rooted in creativity, ensemble, and the transformative power of play.
How It Works
The Piven Theatre Workshop offers programs for both youth and adults, reflecting the founders' belief that the creative capacities developed through Theatre Games and Story Theatre are valuable at every stage of life and that early exposure to ensemble-based creative training produces more imaginative, confident, and artistically skilled performers. Youth programs introduce young people to Theatre Games and collaborative storytelling in age-appropriate formats that develop creativity, confidence, and social skills alongside performance abilities, providing a foundational training experience that has launched numerous professional careers. Adult programs deepen these skills through more advanced work in improvisation, scene study, Story Theatre adaptation, and ensemble performance, developing the complete range of creative and collaborative skills that professional performers need. The workshop also offers intensive programs and summer training opportunities that provide concentrated learning experiences for actors who want to immerse themselves in the Piven approach without committing to ongoing enrollment. The progressive structure of the training allows actors to build their skills over time, advancing through increasingly challenging work that develops their improvisational fluency, ensemble sensitivity, and creative range.
The training experience at the Piven Theatre Workshop is characterized by a spirit of play, discovery, and ensemble collaboration that distinguishes it from the more serious, introspective atmosphere that characterizes many acting studios focused on psychological realism and emotional technique. Classes are energetic, interactive, and physically engaging, with Theatre Games creating conditions where actors must be fully present, genuinely responsive, and creatively brave in every moment. The emphasis on ensemble work means that actors develop not just individual skills but the ability to create as part of a group — listening to each other, building on each other's ideas, and generating theatrical material collectively in ways that produce results no individual could achieve alone. The Story Theatre work develops narrative intelligence and literary sensitivity alongside performance skills, as actors learn to identify the dramatic potential in a wide range of literary texts and to transform written material into living, breathing theatrical experiences. The Evanston location provides a community-centered training environment that is connected to but distinct from the intense energy of downtown Chicago, creating a focused setting where actors can develop their skills within a supportive artistic community.
Who Uses It
The Piven Theatre Workshop draws actors, educators, and creative professionals who are attracted by its unique methodology, its extraordinary alumni roster, and its reputation as one of the most innovative and influential acting training programs outside of New York and Los Angeles. Students include aspiring professional actors who want training that develops their creative and collaborative capacities alongside their performance skills, theatre educators who want to learn the Theatre Games and Story Theatre methodologies for use in their own teaching, and community members who are drawn to the workshop's inclusive, play-based approach to creative development. The youth programs attract families from across the Chicago metropolitan area who want their children to develop confidence, creativity, and performance skills in a nurturing, artistically rigorous environment. The workshop is particularly appealing to actors who feel limited by conventional training approaches and who want a methodology that emphasizes creative generation and ensemble collaboration over individual technique and emotional excavation. The alumni network extends across the American entertainment industry, with graduates working in film, television, theatre, comedy, and related creative fields.
Pricing & Plans
Class fees at the Piven Theatre Workshop are structured by program, session, and age group, with pricing designed to make the training accessible to a broad community of aspiring performers and creative individuals. The workshop's fees are generally more affordable than comparable programs in New York or Los Angeles, reflecting both the lower cost of operating in suburban Chicago and the organization's commitment to making quality theatre training available to a diverse community. Youth program fees are competitive with other extracurricular arts programs in the North Shore area, and the workshop works with families to accommodate financial constraints when possible. Adult program fees are structured on a per-class or per-session basis, providing flexibility for working adults who need to manage their training investment alongside other financial commitments. The value of the training extends beyond the immediate classroom experience to include the development of creative skills that are applicable across a wide range of professional and personal contexts, making the workshop's fees an investment in overall creative development rather than narrow professional training.
Pros & Cons
What's Great
The Piven Theatre Workshop offers a genuinely unique training methodology that develops creative capacities and ensemble skills that are not available through any other approach to actor training in the United States. The Theatre Games and Story Theatre techniques produce performers who are extraordinarily creative, collaborative, and adaptable — qualities that serve actors across all performance media and that are increasingly valued in a contemporary entertainment industry that prizes creative versatility. The extraordinary alumni roster, including John Cusack, Joan Cusack, Jeremy Piven, Aidan Quinn, and Lili Taylor, validates the effectiveness of the approach at the highest levels of professional performance. The workshop's commitment to youth training creates early developmental pathways that produce more imaginative, confident, and artistically skilled performers than conventional approaches to youth arts education. The Evanston location within the broader Chicago theatre ecosystem provides access to one of the most vibrant and innovative theatre communities in the country.
What Could Be Better
The Theatre Games and Story Theatre approach, while developing exceptional creative and collaborative skills, does not provide the systematic training in psychological realism, emotional technique, and text analysis that methodologies like Meisner, Strasberg, and Adler offer, which may leave some actors feeling technically underprepared for the demands of realistic dramatic performance. The Evanston location, while embedded in the Chicago theatre ecosystem, is geographically distant from New York and Los Angeles, meaning that actors who train at the workshop will need to relocate to pursue most professional opportunities in film and television. The emphasis on ensemble work and collaborative creation, while developing valuable skills, may not adequately develop the individual performance technique that actors need for auditions, self-tapes, and solo performance situations where collaborative support is not available. The workshop's reputation, while significant within the Chicago theatre community and among those familiar with its alumni, may be less well-known nationally than programs based in New York and Los Angeles. Some actors may find that the play-based, improvisational approach feels insufficiently rigorous compared to the intense emotional and psychological work that characterizes more traditional acting methodologies.
Our Recommendation
The Piven Theatre Workshop is ideal for actors who want to develop their creative and collaborative capacities through a unique methodology that emphasizes Theatre Games, Story Theatre, and ensemble work, and who are interested in training within the vibrant Chicago theatre ecosystem. The workshop is particularly well-suited for actors who feel limited by conventional technique-based approaches and who want training that develops their capacity for creative generation, improvisation, and collaborative storytelling. Youth programs are excellent for young people who want early exposure to theatre training in a nurturing, artistically rigorous environment. If you need systematic training in psychological realism and emotional technique for a career focused on dramatic film and television, supplement the Piven approach with training in Meisner, Strasberg, or Adler technique. The workshop provides an exceptional foundation that can be combined with other methodologies to produce extraordinarily versatile performers.
Pro Tips
Embrace the spirit of play that defines the Piven approach — the Theatre Games work best when you approach them with genuine curiosity, willingness to take risks, and freedom from the need to be impressive or correct. Develop your ensemble skills by practicing genuine listening and creative generosity with your fellow actors, building on their ideas with enthusiasm and supporting their creative risks with the same encouragement you want for your own. Explore the Story Theatre technique by reading widely in short fiction, mythology, fairy tales, and poetry, developing a rich library of literary material that you can draw on for adaptation and performance work. Take advantage of the Chicago theatre community by attending performances at Steppenwolf, Lookingglass, the Goodman, and the city's extraordinary constellation of storefront theatres, absorbing the ensemble-based performance tradition that the Piven approach has helped to create. If you plan to pursue a professional career in film and television, complement your Piven training with on-camera technique and audition preparation classes, ensuring that the creative and collaborative skills you develop at the workshop are supported by the technical skills that the screen industry requires.